Sensing Gaia

The Earth is a non-human archive. Traces of synergetic design processes are inscribed into its surface. Its autopoietic images are made visible through climate change and extreme weather phenomena.

Cases —
  Otherwise 2019 / installation    
  +41 Magazine 2020 / essay
  Listen Back 2020 / audio
  Planetary Diagrams 2021 / chapter
  Otherwise 2021 / web

  (Non)Depleted 2021 / installation

      As it seems the Earth can no longer be thought without mankind since many changes are already irreversible. What if thinking mankind without the Earth doesn't make sense either? The planet Earth isn't just a passive playground for humans to act upon, but rather it's the main actor in a comprehensive and dynamic ecosystem. Therefore, environmental disasters, extreme weather and in general climate change phenomena become perceptible indicators for profound system changes and witnesses of preceding processes at the same time.
      We propose a notion of the Earth as a living and ever-changing archive. Accelerated by human influence, effects of climate change reveal human design activities on larger scale that were inscribed and are not visible anymore.
      Altogether, we are interested in the man-made climate change as a medium of indication. As a process of materialisation it visualises societal interventions on and against the Earth and its inhabitants through nature itself. The man-accelerated ecological processes, thus, become a method of post-human design. Without explicit human intention, effects of climate change reveal the evenly unintentional archival processes of human cultural activities of the Earth. A geo-epistemic serendipity which implies non-human distinction processes that are too sensitive for a human understanding of the world.


Planetary Diagrams

Photography Off the Scale / 2021
Edited by Jussi Parikka and Tomáš Dvořák            
            How can we think about data visualisation on a planetary scale? In the context of the climate crises, modelling the Earth has to be isolated from the traditional understanding of data-led imagery. Instead we can conceptualise the planetary surface as a composition of material traces that can be re-read from a human perspective. These arrangements can accordingly be called planetary diagrams.
            The chapter contribution is part of the PhD research of Paul Heinicker and was co-written with philosopher Lukáš Likavčan. 

You can order the book via Edinburgh University Press